Thursday, November 7, 2013

Stacey Jones Chilliwack

Stacey Jones Chilliwack
Whether they are empowering women, teaching technology skills, or connecting entrepreneurs, many forward-thinking companies are discovering that the key to sustainable social investing is creating programs with shared value for businesses and communities.
Gap Inc., Cisco Systems, and Off the Grid shared the benefits of aligning their social responsibility and business goals in an October panel discussion, “Transforming Lives – Just Business As Usual,”  hosted by the Stanford Center of Philanthropy and Civil Society (PACS). Finding a way to earn business returns on social programs helps to further fund social programs, which in turn makes them more sustainable.
“We’ve moved away from the traditional philanthropic approach where we might write a check to a nonprofit and allow them to do what they want,” says Kathy Mulvany, Senior Director of Corporate Affairs at Cisco. “We take a much more involved approach now.”
The technology company’s Networking Academy program has been operating since 1997, teaching information technology (IT) skills to 4.75 million students in over 165 countries. Cisco provides free, online curriculum and assessments through a cloud-based platform, and instructor professional development. Communities provide the classrooms, lab equipment, and teachers.
The social goal of the program is to ensure opportunities for everyone to participate in a global networked economy, says Mulvany. On the business side, the Networking Academy creates a pipeline of skilled labor for Cisco, its partners and suppliers, and local industries. “If we want to expand in markets around the world, we need to ensure that there are people and individuals that understand how to use our technology, maintain our technology, and therefore want to buy our technology,” Mulvany says.
The program also helps create healthy markets for Cisco’s products and services when students open their own small businesses and become customers. A Facebook page for the community, reaching more than 600,000 students and graduates, also enables them to support each other, reducing the number of help calls to Cisco’s Networking Academy support center.
Seven years ago, Gap Inc. took a similar approach to philanthropy when the clothing company launched its P.A.C.E. (Personal Advancement & Career Enhancement) program to invest in women by educating female garment workers. About 80% of garment workers worldwide are women, as well as about 70% of Gap Inc.’s own employees.
On the social side, women learn basic life skills such as communication, problem solving, and financial literacy, which help them advance in the workplace and in their personal lives, says Dotti Hatcher, Executive Director, P.A.C.E. Global Initiatives. Women also reinvest their gains into their families and communities. On the business side, Gap Inc.’s factory partners see higher retention and greater productivity in the workplace.
“First and foremost, our goal is to change women’s lives and help unleash their potential in the workplace and in their personal lives,” Hatcher says. “But by providing opportunities for others involved in the program to benefit – the factories that make our clothes – we can help ensure that they remain invested and the program thrives.”
San Francisco’s Off The Grid takes a slightly different approach to social investment by connecting business and community interests. The organization creates weekly markets for about 200 small food truck businesses in 24 local communities, says founder Matt Cohen.
Communities benefit from access to unique food offerings at reasonable prices and having gathering places where neighbors can connect, he says. The weekly markets can also drive foot traffic to local businesses.
At the same time, businesses benefit from an affordable fixed pricing structure that’s about 10-12% of their gross revenues, which means they don’t have to compromise on food quality, says Cohen. A traditional street festival or fair might charge up to 30% of revenues, he says.
The food trucks also employ about 1,000 workers and create opportunities for many minority and women-owned businesses, Cohen says. Since it started in 2010, Off The Grid has doubled in size, and hopes to expand throughout Northern California next year.
Looking forward, Gap Inc. also plans to expand P.A.C.E. from 22 vendors to a minimum of 40 vendors by 2015, says Hatcher. The program is also spreading beyond factories and into communities in India, Cambodia and more through its NGO partners, and has completed a new learning module on women’s safety and security to be rolled out to all areas. “Our intent in developing the program was to positively impact the lives of as many women as we can,” says Hatcher. P.A.C.E. has already reached more than 23,000 women.
Hatcher goes further to say, “Critical to the initial development of the program was the identification of the key indicators we use to measure to show that impact.”  Recent program evaluations by the International Center for Research on Women (ICRW) have shown a 49% increase in self esteem and a 150% increase in self efficacy (the ability to accomplish goals and tasks) from women participating in the study.
Of the many indicators the evaluations measure, these are the two that are most meaningful to Hatcher, in her words: “Through Gap Inc.’s P.A.C.E. program women develop a belief in self, they find their voice and that can never be taken away.”

Stacey Jones Chilliwack

Stacey Jones Chilliwack
Stacey
A name for the most awesome girl ever. A girl who is constantly thinking about others and never herself. Good looking, kind, selfless, and funny. Loves surrounding herself with close friends and always enjoys life.
Stacey is the epitome of class and good taste.

Monday, November 4, 2013

Stacey Jones Chilliwack

Stacey Jones Chilliwack
Chilliwack is a Canadian city in the province of British Columbia. It has long been a predominantly agricultural community, but with an estimated population of 80,000 people, it has become more urban. Chilliwack is the second largest city in the Fraser Valley Regional District after Abbotsford. The city is surrounded by mountains and recreational areas such as Cultus Lake and Chilliwack Lake Provincial Parks. There are many outdoor opportunities in the area, including hiking, horseback riding, biking, camping, fishing, and golf. Chilliwack is the location of the head offices of the Fraser Valley Regional District.

Stacey Jones is pretty 
Stacey jones chilliwack is cool 
Stacey Jones chilliwack I love her

Sunday, November 3, 2013

Stacey Jones Chilliwack

Stacey Jones Chilliwack
Stacey Jones Chilliwack

Stacey Jones Chilliwack

Stacey Jones Chilliwack

George Gordon, Lord Byron (1788–1824).
"She Walks in Beauty" is a poem written in 1814 by Lord Byron. One of Lord Byron’s most famous, it is a lyric poem that describes a woman of much beauty and elegance. The poem appears to be told from the view point of third person omniscient. There are no hints as to the identity of the narrator, but it is believed that the narrator may be Byron himself. The poem is said to have been inspired by the vision of Byron’s cousin by marriage in a mourning gown. It was the first of several poems to be set to Jewish tunes from the synagogue by Isaac Nathan, which were published as Hebrew Melodies in 1815.

Author[edit]

"She Walks in Beauty" was written by George Gordon Noel Byron, also known as Lord Byron, who was one of the most influential writers of his time. Byron was born on 22 January 1788 to Captain "Mad Jack" Byron and Catherine Gordon.[1] After losing his father at a young age and inheriting the family title and estate, he went on to Harrow school, followed by an attendance to Cambridge.[1] After leaving Cambridge, Byron went on to have many travels and to develop a career that was very successful.[1] Byron died of malaria in April 1824.[1]

Analysis[edit]

She Walks in Beauty
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellow'd to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
"She Walks in Beauty" is one of Byron’s most famous works. It was published in 1815 as a part of his volume Hebrew Melodies, which was set to music.[2] The poem is said to have been inspired by an actual event in Byron’s life. By one account, while at a ball, Byron happened upon Mrs. John Wilmot, his cousin by marriage. He was struck by her unusual beauty, and the next morning thepoem was written.[3] She was in mourning, wearing a black dress set with spangles, which would explain the opening lines;
She walks in beauty, like the night
Of cloudless climes and starry skies
However, Nathan, in his reminiscences of Byron, indicates that the subject of the poem may have been Byron's half-sister, Augusta.[4]
"She Walks in Beauty" is considered by some to be Byron’s tribute to the beauty of art.[5]
The poem begins with the image of a woman who "walks in beauty like the night" (poem), which might lead the reader to ask how she could be seen.[6] That question is answered in the next line when the speaker says that the night is cloudless and that the stars illuminate the sky, bringing into focus the imagery of light and darkness.[6] When the first line of a poem is presented with no punctuation, and is followed by a line that clarifies the previous statement, it is referred to as enjambment, and this technique is used in the first four lines of the poem.[6]
In the next few lines Byron draws attention to the word "meet": it emphasizes the contrasts in the woman being described. The imagery presented in the first two lines reappears in these lines, and the contrast of light and dark makes another appearance.[6] Opposites “meet” in this woman: just as enjambment and a change in meter are joined as mechanisms in the poem, the unlikely pair of darkness and light meet in her. The light and dark appear in her face and in her eyes. Her face contains light alabaster skin, yet is engulfed in dark hair, and her eyes are dark in the iris, in contrast with their whites. This repeat of the contrast between light and dark reinforces the imagery introduced in the beginning of the poem.[6] The poem goes on to say that if she were to have even one shade more darkness, or a bit less light, she would be, though not wholly ruined, "half impair’d".[6]
Towards the poem's end, Byron speaks of the woman’s inner thoughts and how they are all good, which serves to convey the woman as pure, making her all the more beautiful.[6] The reference to her angelic looks gives a window into her morality as a person, and enhances her beauty all the more. According to Uma Kukathas, the contrast of light and dark in the poem can easily be a representation of what art is in its entirety; there are so many varying, contrasting parts of art, and yet it all comes together to create something that is beautiful.[5] The contrast of light and dark is used to convey the soft beauty of the woman; the beauty is soft and pronounced but not overdone.[5] The woman’s beauty is soft like candlelight, not too overpowering, and yet is still obvious to all who look at her.[5] The dark part of the contrast serves as a reality check to make the woman seem more worldly and real, it creates flaws and yet if she were to have even one bit more light or darkness she would only be "half-impaired".[5] Byron speaks of her "nameless grace", in which one would think he were speaking of her grace as she walks, but he is really speaking of the grace she possesses from the darker features of her face, which serve to enhance her beauty in the speaker's eyes